SELECTED WRITING
Reviews
Nele Wynants’s When Fact Is Fiction: Documentary Art in the Post-Truth Era
Step Into the Colony Room, the Raucous Haunt of Francis Bacon, Lucian Freud, and the YBAs
Disinformation and the Death Star: The Legacy of Gretchen Bender
The Decade that Changed the Art World: Money, Media, and Brands in the 1980s
Documentarian Adam Curtis Dissects the World that Gave Rise to Trump
The Praise and Prejudices Vigée Le Brun Faced in Her Exceptional 18th-Century Career
Thirty Years On, Colab Members Assess Their Successes and Failures
Brooklyn Museum’s Activist Art Show Is a Messy Collision of Curation and Politics
The Intimate Visions of Martin Wong, Loisaida’s “Chino-Latino” Painter
7 Artists, 25 Pages Each, 1 Half-Century Later: Revisiting the Xerox Book
35 Years After Fashion Moda, a Bronx Gallery Revisits the Landmark Space
FEATURES & Essays
“Your Money Is Safe in Art”: How the Times-Sotheby Index Transformed the Art Market
On Linda Nochlin [The Cambridge Humanities Review]
In Search of Bas Jan Ader, the Artist Who Disappeared at Sea
INTERVIEWS
Artist Anton van Dalen on the East Village, Saul Steinberg, and Pigeon Keeping
Hans Haacke on “Gift Horse,” Gulf Labor, and Artist Resale Royalties
Darren Coffield on Portraiture, Factual Nonsense, and the Colony Room Club
REPORTING
5Pointz Owner Reneges on Promise to Use Union Labor, Sparking Protest
Remembering Brian Sewell: The Master of the Operatic Put-Down Who Masturbated for Dalí
Finally, a Forum on Resale Royalties Brings Artists into the Conversation
5Pointz: The Morning After [photography]
5Pointz Whitewashed Overnight [photography & additional reporting]
Catalogues
“Artists Living in Cities,” Anton van Dalen: Community of Many, Black Dog Press (2022)
“American Power”, Young Curators, New Ideas IV, Exhibition Catalogue (2012)
“Introduction”, East Wing Nine: Exhibitionism, Exhibition Catalogue (2010)